Benjamin Buttons Beautiful Bytes

Sorry for not posting for so long, I've been busy. Me being busy is often a good thing for all of you reading, although it tends to take a while from me being busy until you notice. Since what I'm doing isn't out there yet, lets ramble about something else instead:

Recently, a movie went up in theaters called "The Curious Case of Benjamin Button" starring some guy named Brad Pitt ... Hmm, that sounds familiar somehow... :)

Anyway, I have a special relationship with the effects in this film, because all the pretty stuff you see is done in mental ray, which makes me happy. (Yeah, I'm easy to please that way, LOL).

There is an almost ridiculously pretty website dedicated to The Visual Effects of Benjamin Button that I suggest you visit, if not only for the beautiful design of the site itself.

Digital Age

A lot of the "old benjamin" work was done by Digital Domain, and I suggest you check out their very cool breakdown of the process. Brad Pitt's digital head replacement was rendered in mental ray and is, I must say, probably one of the best skin shadings put to film to date.

Digital Youth

Hydraulx, and their sister company Lola did a lot of the "youthenizing" effects both on Pitt and Blanchett. I actually had the pleasure to see first hand the de-aging work on Pitt when I visited Hydraulx (which can be witnessed earlier in this very blog), and I had no idea at the time of the significance of the de-aged Brad Pitt I was being shown.

What was truly interesting about the Lola de-aging process is how manual it is. Its as far from "push a button and the computer does the work" that it can possibly be. Quite the opposite, it's nearly a matter of pulling every pixel manually from one place to another, the computer just helps with doing it over multiple frames, but even that requires TLC to look nice. I applaud the work here.

And Hydraulx/Lola also did digital head replacements of Kate Blanchett onto a professional ballerinas body, again using mental ray, and good 'ole misss_fast_skin shaders.

The Digital Skinny

Its fun for me, as the father of the good o'le mental ray skin shader, to see my little baby all grown up.

When I was in Singapore (see earlier in this blog) I met with Paul Hellard and friends from Ballistic Publishing and flipped through almost every one of their various computer art books (which I suggest y'all go and buy because they are exquisitly printed), I couldn't help but notice (to my poorly hidden personal glee) the amount of character renderings that were done in mental ray and with my o'le honey misss_fast_skin shader.

If you havn't checked out the mental ray skin shader, I suggest you try it, there are some posts in this very blog about it (searching for "skin" is a good start).

I close off this post with a video from TED.COM (if you are not a TED nut, I invite you to be one from today) about giving Benjamin Button his face.

I hope to be posting more again Real Soon. Meanwhile, follow me on twitter for shorter bursts of randomness that doesn't go into this blog.

Thank you for your time!



Studio 2 said...

I was at Digital Domain when they where working on it, truly amazing work by DD!! I knew once I saw it it was going to win an Oscar..Master Zap your SSS has truly grown up, this shows how powerful mental ray can be for the film industry we will see whats to come ahead. Great post!

Al Torres

Christopher's Blog said...

good share...nice post...thanks

Yacino said...

yes great demo of the powerful SSS, i wanna juste ask how to get the rayswitch on my map browser (3DMAX) i dont know why it do not show, i have found no "hidden" word on the production mi file, thank for given some time to inswer .Mr Master ZAP

Unknown said...

Very cool video, and thanks so much for your tutorials man, both the SSS PDF and the Lighting technics with Mental Ray, cool robot!

CG Laz

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